Suggest me a good gimbal for Sony FX3 for taking films.
DJI RS 4 Mini is a good choice. https://www.bhphotovideo.com/c/search?Ntt=DJI+Stabilizer+Panasonic+Intelligent+Briefcase&BI=8941&KBID=10361&SID=12345&DFF=d50
Like someone mentioned, balancing a rigged Sony FX3 is quite a technical challenge. i have been dealing with the exact same weight distribution issues lately, and it is honestly difficult to find a stabilizer that maintains consistent reliability under a heavy load. I have been very satisfied with the following units for my professional projects:
Any updates on this?
I have been very satisfied with how the FX3 handles on various sets, though seeing all these high-tech options reminds me of a much messier DIY project from back in the day. Sometimes the gear hunt gets so intense that you lose sight of the basics. It actually reminds me of my uncle who was convinced he could save a few thousand dollars by building a custom stabilizer for his setup. He spent weeks in his garage trying to engineer a counterweight system from scratch using random hardware store parts:
Basically, the previous suggestions cover the lighter side of the spectrum, but I’d be cautious if you’re actually rigging up your Sony FX3 for pro work. Ngl, while the Mini or the standard version are fine for bare-bones setups, they can struggle once you add a cage, a V-mount plate, or heavy glass like the 24-70mm GM. Imo, you should definately look at the DJI RS 4 Pro for the extra motor torque. When you're on a long shoot, reliability is everything, and you don't want your motors overheating because the payload is redlined. The Pro version gives you that safety margin so the stabilization stays buttery smooth even with a front-heavy cine lens. Plus, the carbon fiber build keeps the weight manageable while maintaining structural integrity. Another solid option for reliability is the Zhiyun Crane 4. It has built-in balance indicators which are a lifesaver for making sure you aren't stressing the motors. If you're serious about the "cinematic" side, honestly, don't skimp on the payload capacity—it’s better to have more power than you need than to have a gimbal fail you mid-take.