Here’s a breakdown of some of the top recommended lenses:

1. Sony FE 24-70mm f/2.8 GM II

This lens is considered the best all-around option for the FX3. It offers a versatile focal range, excellent sharpness, and a constant f/2.8 aperture, making it suitable for various shooting conditions, from landscapes to portraits. Its lightweight design enhances portability, making it ideal for travel and run-and-gun shooting.

2. Sony FE 16-35mm f/2.8 GM II

For those who need an ultra-wide lens, the Sony FE 16-35mm f/2.8 GM II is a top choice. It excels in capturing expansive landscapes and architectural shots, providing sharp images across the frame. This lens is also great for low-light conditions due to its fast aperture.

3. Sony PZ 16-35mm f/4 G

This lens is designed with video shooters in mind, featuring power zoom capabilities that allow for smooth zoom transitions. It’s lightweight and compact, making it perfect for gimbal use, and is versatile enough for various shooting scenarios.

4. Sigma 85mm f/1.4 DG DN

For portrait photography, the Sigma 85mm f/1.4 DG DN lens stands out due to its beautiful bokeh and sharpness. It is lighter and more compact than many other 85mm options, making it a great choice for portraiture without sacrificing image quality.

5. Sony FE 35mm f/1.4 GM

This lens is ideal for street photography and general use, offering a natural perspective that closely resembles human vision. Its fast aperture allows for excellent low-light performance and depth of field control.

6. Sony FE 70-200mm f/2.8 GM OSS II

For those needing a telephoto option, the Sony FE 70-200mm f/2.8 GM OSS II lens provides outstanding image quality and versatility for capturing distant subjects, making it suitable for wildlife and sports photography.

7. Tamron 17-28mm f/2.8 Di III RXD

This is a more affordable wide-angle option that still delivers good performance. It’s compact and lightweight, making it a great choice for travel and everyday shooting.

8. Irix Cine Lenses

For filmmakers looking for cine lenses, the Irix Cine set offers high-quality optics and robust construction, ideal for professional video production. These lenses are designed specifically for motion picture work, providing precise control over focus and exposure.

Get the Sony FE PZ 28-135mm f/4 G OSS lens. https://www.bhphotovideo.com/c/search?Ntt=Sony+28+135mm+Full+frame+mount+Power&BI=8941&KBID=10361&SID=12345&DFF=d50

I use Sony FE 24-70mm f/2.8 GM II lens with FX3, a workhorse lens for most conditions.

Here are my thoughts:

For an all-around versatile zoom, the Sony FE 24-70mm f/2.8 GM II is hard to beat. The fast f/2.8 aperture is great for low light and creating separation between subject and background. And the GM II version is a solid update to an already fantastic lens.

If you love shooting primes, the Sigma 50mm f/1.2 DG DN Art is a stellar choice. The f/1.2 aperture gives you dreamy bokeh and excellent low light performance. It's sharp, well-built, and a great value compared to Sony's GM equivalent.

For telephoto needs, the Sony FE 70-200mm f/2.8 GM OSS II is a workhorse lens used by many pros. Lightning fast AF, built-in stabilization, and top notch optics make it shine for portraits, events, sports, and even some wildlife.

Speaking of portraits, the Sony FE 135mm f/1.8 GM is a portrait photographer's dream. The focal length is perfect for headshots, and the f/1.8 aperture melts away backgrounds. It's crazy sharp and renders beautiful colors and skin tones. A must-have for serious portrait shooters.

On the wide end, the Sony FE 16-35mm f/2.8 G Master II improves on the already excellent mark I version, shedding some size and weight which is always welcome for a wide angle lens. Perfect for landscapes, architecture, and environmental portraits.

For an even wider perspective, the Sony FE 12-24mm f/2.8 G Master is the lens to get. A fast aperture ultra-wide is relatively rare, and this one has the trademark G Master quality to boot. Perfect for dramatic wide shots, astrophotography, and creative close-ups.

And if you need extreme reach, the FE 200-600mm f/5.6-6.3 G OSS punches above its price class, giving you 600mm of reach in a hand-holdable package thanks to the built-in image stabilization. It's a great choice for sports and wildlife shooters.

Finally, if you want something that can handle a bit of everything, check out the FE 24-240mm f/3.5-6.3 OSS superzoom. It covers a massive 10x zoom range while maintaining solid image quality. Not a master of any one thing but a jack of all trades that's great for travel and everyday walk-around use.

So that's my take! Again, there's not really a wrong answer here. It just depends on what and how you like to shoot. But you've got a great list to choose from.

I've been shooting with the FX3 for about a year now and found the Sony G Master series to be worth the investment. The 24-70mm f/2.8 GM II is my workhorse - incredibly sharp, fast AF, and versatile for run-and-gun work. For low light, the 50mm f/1.2 GM is simply incredible. If you're on a tighter budget, the Sigma Art series (especially the 24-70 f/2.8) offers excellent value.

For cinema work on the FX3, I'd suggest looking at the Sony 16-35mm f/2.8 GM II for wide shots and establishing scenes, the 24-70mm f/2.8 GM II for mid-range, and the 70-200mm f/2.8 GM II for tight shots and interviews. If you're on a budget, the Tamron 28-75mm f/2.8 is a solid alternative to the Sony 24-70GM at about half the price. The autofocus works surprisingly well with the FX3 and the image quality is excellent.

> I primarily shoot a mix of video content, including documentaries, short films, and some commercial work. In my experience, sticking with the native Sony brand is almost always the right move if you want to ensure total compatibility with the FX3's autofocus and metadata features. Over the years I've tried many different third-party options and while they're getting better, nothing quite matches the native communication between the body and the lens, especially for high-speed video stuff. Before I suggest anything specific tho, I gotta ask: what kind of rigging are you planning to do? Are you going to be mostly handheld, using a gimbal, or sticking it on a tripod? Knowing if you need to keep things light or if weight doesnt matter will really change what I'd suggest. Honestly, just get any of the Sony G Master series lenses and you'll be set, but the focal lengths depend on how you're balancing the rig.

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I am waiting for upcoming FE 28-70mm f/2 GM lens.