Saw this earlier but just now responding... before giving any hard advice, I gotta ask: what kind of projects are you actually shooting? Knowing if you're doing narrative work or fast-paced event coverage makes a huge difference in whether a potential FX2 would even be relevant for you. I would suggest being very careful about waiting for gear that hasn't been officially announced. It can really stall your production schedule. Procurement planning based on leaks is a recipe for headaches.

• You might want to consider the Canon EOS R5 C if you're looking for that cinema and hybrid mix. Its a different workflow than Sony but very capable for professional work.
• Make sure to check out the Blackmagic Design Pocket Cinema Camera 6K Pro if you don't strictly need autofocus. The built-in ND filters are a lifesaver compared to the Sony a7S III setup.
• If you're stuck on Sony, honestly the Sony FX30 is already a beast for the price, even if it's not full frame. Don't get too caught up in the hype cycle. Just make sure whatever you pick actually fits your current glass and battery ecosystem. Buying into a mystery body is risky business tbh.

I've been dealing with this exact same issue for months and its honestly so frustrating. I'm usually satisfied with my technical documentation process but the total lack of data here is making it impossible to ensure long term reliability for my workflow.

• zero info on the internal thermal design
• no data regarding the sensor readout speeds
• total mystery on the bit depth capabilities I've been checking for updates every single day and still nothing works for my procurement planning. It is just so draining trying to build a professional kit when the roadmap stays this vague.

Honestly I think it's gonna be a lower-tier option rather than a replacement for those pro bodies. Just found this thread and I've been wondering the same thing because the Sony a7S III is way too expensive for me lol!!! If you're looking for the best value, here's what I've noticed from a beginner perspective: - The FX2 will probably be an entry-level cinema camera, maybe even a bit cheaper than the Sony FX30 which is already a great deal.
- If you need full frame now on a budget, the Sony ZV-E1 is basically a cheaper version of the Sony a7S III anyway and you can find it for around $2,198.
- Sony usually adds to their lineup rather than just replacing everything, so this might just be a way for them to hit a $1,500 price point for hobbyists. So yeah, probably not a replacement, just a cheaper sibling! Do you think it'll actually have 4K 120p or is that too much to ask for a budget cam???

Saving this whole thread. So much good info here you guys are awesome.

It will not replace FX3.