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Top external microphone recommendations for Sony ZV-E10 II vlogging?

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I finally bit the bullet and grabbed the Sony ZV-E10 II for my big solo trip to Tokyo next Tuesday, but honestly I am kind of freaking out right now because the built-in mic is just not cutting it for the street food tours I have planned. I did some test shots in my kitchen and the echo was just gross and it picked up my fridge humming way more than my voice.

Ive spent like six hours on YouTube looking at reviews today. I saw the Sony ECM-B10 which seems perfect because of the cableless setup since it uses that multi-interface shoe thing, but then I read some threads saying it has this weird electronic interference or clicking noise sometimes when it's on the newer Sony bodies? I dont know if thats been fixed with a firmware update or if it's just people being super picky about audio. Then there is the Rode VideoMic NTG which everyone raves about for actual sound quality, but honestly the ZV-E10 II is so small and light that Im really worried the Rode is gonna make the whole thing front-heavy and impossible to balance on my tiny Ulanzi tripod.

I have got about $250, maybe $300 if I stretch it, left in my gear budget after selling my old setup. Im gonna be in really crowded, loud spots like Shibuya Crossing and then some way quieter temples, so I need something versatile that can handle wind and background noise without making me sound like Im underwater.

  • Should I stick with the Sony brand mics to keep it compact and digital?
  • Is the audio quality on something like a Deity V-Mic D4 or a Rode actually worth the extra bulk and having cables hanging everywhere?
  • Is there a specific shotgun mic that doesnt block the flip-out screen too much?

I really need to order this by tomorrow so it gets here before my flight and I have zero time to return it if it sucks...


12

Saw this earlier while I was out. I actually took the Sony ECM-B10 Compact Shotgun Microphone on a trip to Osaka last year and never dealt with that clicking noise. It seems like it was mostly a thing with early production units or people not seating the shoe right.

  • Sony brand is worth it for the MI shoe. No cables means one less thing to snag on your bag while you're navigating the subway.
  • The B10 has a super-directional mode that basically acts like a beam. I used it in a crowded market and it isolated my voice way better than the Rode VideoMic GO II Lightweight Microphone I used to carry.
  • If you want an analog backup, the <a href=" https://www.bhphotovideo.com/c/search?Ntt= Sennheiser+MKE+400+Shotgun+Microphone&BI=8941&KBID=10361&SID=12345&DFF=d50" target="_blank" rel="nofollow sponsored">Sennheiser MKE 400 Shotgun Microphone is way more compact than the Rode NTG and wont tip your tripod over. Honestly, just grab the B10. It fits the ZV-E10 II size perfectly and wont make it front-heavy. It keeps your setup looking low-profile which is nice for street filming.


11

Re: "In my experience, you should definitely leverage that..." - honestly, be careful with Sony-only digital mics. Theyre pricey and lock you into one brand. For Tokyo street food, I’d suggest a different route:





1

In my experience, you should definitely leverage that digital MI shoe. I've tried many setups and the Sony ECM-M1 Shotgun Microphone Digital is superior to the B10 for your trip. It has 8 pickup modes, including a super-directional one thatll kill that fridge hum and street noise. Its way more compact than a Rode and doesnt need cables, keeping your ZV-E10 II perfectly balanced on that small tripod.


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