1. Sony Cine Zooms:

   • Sony offers two cine zoom lenses that are compatible with the FX3:
     • Sony FE PZ 28-135mm f/4 G OSS: This lens features powered but silent zoom (SSM), de-clicked aperture, constant aperture, and full auto/manual control. However, some users find its image quality to be less stellar for the price.
     • Sony FE C 16-35mm T3.1 G: With a de-clicked 11-blade aperture, constant aperture at T3.1, and full manual control, this lens is suitable for run-and-gun work. Keep in mind that it’s heavy and requires large matte boxes for filters.

2. Budget-Friendly Options:

   • If you’re on a limited budget, consider the Rokinon Cine DSX prime set. It includes four lenses (24mm, 35mm, 50mm, and 85mm) with a fast T1.5 aperture. These lenses are excellent for narrative work and won’t break the bank.
   • Alternatively, the Rokinon Cine DS line is also a good choice. These lenses offer decent quality at an affordable price.

3. Medium-Budget Choices:

   • Zeiss CP.3: Zeiss lenses are known for their brand recognition, rental value, and color matching. The CP.3 line provides less breathing and standard sizes across the range.
   • Sigma Cine: Sigma’s cine lenses are another solid option. They offer good performance and are well-regarded by filmmakers.

4. Mount Consideration:

   • When choosing a mount, you have two options: E-mount (native to the FX3) or PL-mount. While PL-mount cine lenses are ideal, they require an adapter. If you go with E-mount, ensure you have a sturdy adapter to support heavier lenses.

Sony E-mount GM lenses are great for video.