For professional work on my FX30, I've invested in the Sony 16-55mm f/2.8 G. Yes, it's pricey, but the image quality is outstanding, and having that 16mm wide end is incredibly useful for establishing shots. The weather sealing also gives me confidence shooting in challenging conditions.

Get Sony E 16-55mm f/2.8 G. https://www.bhphotovideo.com/c/search?Ntt=Sony+Alpha+16+55mm+Standard+APS+C&BI=8941&KBID=10361&SID=12345&DFF=d50

I've been using the Sigma 18-50mm f/2.8 with my FX30 and it's been fantastic. Great all-around zoom range for video work, constant aperture, and much lighter than Sony's G Master options. Plus, it's reasonably priced compared to native Sony glass.

The Tamron 17-70mm f/2.8 Di III-A VC is worth looking at too. It gives you a bit more reach than the Sony 16-55 and includes stabilization, which is helpful since the FX30 doesn't have IBIS. The build quality is excellent and it's priced between the Sigma and Sony options.

Recommended Lenses for Sony FX30

1. Sony E 16-55mm f/2.8 G

   • This lens offers a versatile zoom range and a constant f/2.8 aperture, making it great for both photography and videography.

2. Sony E 10-18mm f/4 OSS

   • Ideal for wide-angle shots, this lens is perfect for landscapes and architecture, with optical stabilization for smoother video.

3. Sigma 18-50mm f/2.8 DC DN

   • A compact and lightweight option that provides a good balance between wide-angle and standard focal lengths, suitable for various shooting scenarios.

4. Tamron 11-20mm f/2.8 Di III-A RXD

   • This ultra-wide-angle lens is excellent for vlogging and capturing expansive scenes, with a fast aperture for low-light performance.

5. Sony E 35mm f/1.8 OSS

   • A prime lens that excels in low-light conditions and provides a natural perspective, making it great for portraits and street photography.

Came here to say the same thing lol. Great minds think alike I guess.

In my experience shooting cars over the years, zooms are convenient but primes are what actually improved my eye for composition. For an FX30, you really want glass that lets in a lot of light and gives you that shallow depth of field to make the car pop against the scenery. Ive tried many setups, but I always come back to a two-lens prime kit for automotive stuff:

• Sigma 16mm f/1.4 DC DN Contemporary
• This is your wide-angle beast. Perfect for getting low to the ground near the front bumper to make the car look aggressive while still showing off the landscape.
• Sigma 56mm f/1.4 DC DN Contemporary
• If you want those professional looking hero shots with a blurry background, this is the one. It compresses the scene so the car looks powerful. I once spent a whole day shooting a vintage 911 with just the 56mm and honestly, those are still some of my favorite shots. Just a heads up tho, whatever you buy, make sure to get a decent circular polarizer filter... it basically deletes reflections on the paint and windows, which is a total game changer for car photos. Dont underestimate how much that helps!