Notifications
Clear all

Top wide angle lens recommendations for Sony FX30 cinematography?

5 Posts
6 Users
0 Reactions
155 Views
0
Topic starter

I’m looking for a solid wide-angle lens for my FX30. Since it’s a Super 35 sensor, I’m struggling to find something wide enough for gimbal work and tight interiors. I’m debating between the Sony 10-20mm PZ or a fast prime like the 11mm f1.8. What’s your go-to lens for sharp, cinematic wide shots?


5 Answers
11

So I've been obsessing over this exact thing lately since I just got my FX30, and oh man, I totally get the struggle with that crop factor!! It literally makes finding a "true" wide angle feel impossible sometimes. I'm still kinda new to this but I've spent way too much time watching reviews haha.

In my experience, if ur doing a lot of gimbal work, the Sony E 10-20mm f/4 PZ G is honestly a lifesaver. Since it’s internal zoom, the balance doesn't shift at all, which is like, huge for not stressing out your motors. But ngl, that f/4 aperture can be a bit of a bummer if ur shooting in really dark interiors.

That’s why I highkey love the Sony E 11mm f/1.8. The low light performance is just fantastic and the image is sooo sharp!! But if u want a zoom that’s faster than the Sony, you should definitely look at the Sigma 10-18mm f/2.8 DC DN Contemporary for Sony E. It’s basically the best middle ground cuz u get that f/2.8 constant aperture which helps a lot with the "cinematic" look, and it's still super tiny and light for a gimbal.

Also, have u looked at the Viltrox AF 13mm f/1.4 STM for Sony E?? It’s a bit heavier, but that f/1.4 is actually insane for blurry backgrounds on a wide lens. Idk, it depends on if u prefer the flexibility of a zoom or the speed of a prime, but they’re all great! Good luck with the shoot!! 👍


11

Respectfully, I'd consider another option. Maybe the Sigma 10-18mm f/2.8 DC DN Contemporary? Its a safer bet for low light than the PZ cuz of that f2.8 aperture. Ngl I’m happy!





2

👆 this


2

Jumping in here real quick. I've been shooting on S35 for a long time and the market has really shifted lately. Here is my take on how the brands compare for wide shots: * **Sony native:** Honestly, if you want the easiest experience, just stick with Sony glass. They have the best communication with the FX30 body for things like breathing compensation and active stabilization, which is kinda huge for gimbal work.
* **Sigma:** Go with Sigma if you want that "surgical" sharpness and a more clinical look. Their builds are usually a bit more robust than the others, though they can sometimes be a bit heavier on your gimbal motors.
* **Viltrox or Samyang:** If you're chasing that fast, shallow depth of field look, check out these newer third-party options. You're gonna get way more light for your money, even if the autofocus isn't quite as bulletproof as the native Sony stuff. Tbh, you can't really go wrong with any of the major brands anymore, it just depends on if you're prioritizing the internal tech features or the raw speed of the glass.


1

Huh interesting. I had no idea. The more you know I guess 🤷





Share:
Forum.Sony-Rumors.COM is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.

Contact Us | Privacy Policy