Do I go with the Rode VideoMicro or should I stick to a Sony branded one like the ECM-G1 for my ZV-1? I've been using the built-in mic with that little deadcat thing it comes with but honestly it still sounds kinda thin when I'm out walking around downtown Chicago and the wind here is no joke lol. I'm starting a new travel series on YouTube next month and I really need to upgrade the audio before I leave in two weeks because nobody wants to hear that scratchy wind noise for ten minutes straight.
I'm torn because the VideoMicro is super classic and everyone says it's great but the ECM-G1 is so tiny and it doesn't need a cable which is a huge plus for me since I'm always worried about snagging something while I'm filming on the move. Then there is the VideoMic GO II which is a bit more expensive but looks more professional I guess? My budget is strictly under a hundred bucks though so that limits things a bit. I mostly do walk-and-talk style vlogging so weight is a big deal too.
Which one would you guys pick if you were in my shoes and needed something reliable that wont break the bank?
Regarding what #1 said about the Sony ECM-G1 Ultracompact Shotgun Microphone being the best bet, I agree that shoe connection is super efficient. If you are battling heavy wind tho, the <a href=" https://www.bhphotovideo.com/c/search?Ntt= Sennheiser+MKE+200+Directional+On-Camera+Microphone&BI=8941&KBID=10361&SID=12345&DFF=d50" target="_blank" rel="nofollow sponsored">Sennheiser MKE 200 Directional On-Camera Microphone is a solid alternative under a hundred bucks. It has internal wind protection and its very lightweight. Quick tip: always set your in-camera gain manually to 4 or 5 to minimize that ZV-1 preamp hiss... works way better.
In my experience, the Sony ECM-G1 Ultracompact Shotgun Microphone is your best bet here. I've tried many compact mics over the years and the cable-free connection via the MI shoe is a total game changer for vlogging. It produces a much richer sound than the internal setup, and since you're worried about snags, it beats the Rode VideoMicro Compact On-Camera Microphone for sheer reliability.
Just saw this thread today. Squiersvj is spot on about the manual gain... those preamps are super sensitive and leaving it on auto usually just ruins the noise floor. Honestly the wind noise issue is just soul-crushing. It is so frustrating when you spend all day shooting downtown and get home to find that low-frequency rumble totally clipped your levels. Chicago gusts are notorious for ruining audio even with a deadcat and it is honestly exhausting to manage. The technical limitations are very specific: