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What is the best portrait lens for Sony a7 IV?

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[#2956]
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so I just picked up the a7 IV and I need a dedicated portrait lens for an outdoor wedding Im shooting in October. I'm really looking for that super shallow depth of field but I dont want to break the bank entirely. My budget is capped at about $1200.

I am currently looking at:

  • Sigma 85mm f1.4 DG DN Art
  • Sony 85mm f1.8
  • Samyang 85mm f1.4 II

The Sigma seems like the logical choice but I've heard it can be heavy for an all-day shoot. Is the Sony 1.8 enough for pro work or should I just go for the f1.4? I need fast autofocus because the couple is gonna be moving around a lot. Which one would you pick...


4 Answers
10

I once lugged a heavy setup for a beach wedding and my wrist was basically dead by the reception. Reliability is everything when people are moving. Honestly, the Sony FE 85mm f1.8 is the safest bet for your wallet and your sanity.

  • Fastest autofocus of the bunch
  • Super light for long days
  • Great value Its plenty sharp for pro work and saves you enough cash for a nice flash or extra cards.


10

I am so stoked for your wedding gig!! I was in your shoes last year and went with the Samyang AF 85mm F1.4 II FE to save some cash. It is honestly amazing and it hasnt failed me once!

  • bokeh is super smooth and creamy
  • autofocus is totally snappy for people walking
  • custom switch is great for aperture control Best way to get that 1.4 look without going broke... definitely a win!


3

I've shot dozens of weddings over the years and honestly, nothing beats seeing the gear in motion before buying. Just go search for Sony a7 IV 85mm comparison on YouTube... there's a specific video by Dustin Abbott that goes deep into the tracking performance. Its way more helpful than any spec sheet. Definitely check his channel before you spend the cash.


2

Re: "I am so stoked for your wedding gig!!..." - honestly ive been shooting weddings for over a decade now and reliability has saved my skin more times than I can count. When youre out there running around in October, the last thing you want is a lens throwing a mysterious autofocus error halfway through the ceremony. In my experience, sticking with native glass from the camera maker just gives you that extra peace of mind. I've tried many third-party options over the years, and while the savings look great upfront, nothing beats the weather sealing and tracking consistency of original manufacturer gear when failure is literally not an option. If you want my two cents, just grab whatever native option fits your budget and dont look back. You'll thank yourself when the timeline gets hectic and your gear just works.


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