So I finally picked up an FX30 for some short film work I am doing in a cramped apartment in Chicago next month and honestly I am a bit stuck on the glass. I am mostly shooting narrative stuff so I really want that shallow depth of field for the close-ups but space is a huge factor. Ive spent hours on YouTube looking at the Sigma 30mm f1.4 because everyone says it is the gold standard for budget APSC but then I see people arguing that the 56mm is the only way to get a real cinematic portrait look because of the compression.
The problem is if I go with the 56mm I feel like I will be backed up against the wall literally the whole time and still only getting a headshot. Then there is the Sony 35mm f1.8 which has stabilization but some people say the bokeh looks nervous or jittery compared to the Sigma glass. I have got about $750 saved up for this one lens and I am just trying to figure out which one is going to give me that creamy professional look without making the apartment feel like a shoebox. Should I just stick with the wider 30mm and get closer to the actor or is the compression on a longer lens actually worth the struggle in a small room?
Honestly, in my experience shooting in tight city apartments, the Sigma 30mm f1.4 DC DN Contemporary is the way to go. Ive tried many primes and 56mm is just way too long for small rooms... you'll kinda be hitting the walls constantly. This Sigma gives you that beautiful bokeh you're after and its a total steal, leaving you extra cash for a decent ND filter.
Caught this a bit late, but how much space do you actually have? The Viltrox 27mm f1.2 Pro AF Sony E-mount is faster than the Sigma options if you dont mind the weight.
Regarding what #2 said about "Caught this a bit late, but how much...", unfortunately heavy glass was a letdown in small rooms, tbh.