Hey everyone! I’ve finally made the jump into the Sony ecosystem and recently picked up an FX3 as my main powerhouse and an a7S III to serve as a matching B-cam for my freelance video projects. I am absolutely blown away by the low-light performance and the autofocus, but I’m hitting a bit of a wall when it comes to my lens kit—specifically on the wide end.
Most of my work involves high-end real estate walkthroughs and "run-and-gun" travel documentaries. I currently have the 24-70mm GM II, which is a fantastic workhorse, but I’m finding that 24mm just isn't wide enough when I'm trying to capture tight interior spaces or expansive landscapes. One thing that’s been bothering me is the slight 1.1x crop when shooting in 4K 120p on these sensors; it turns my 24mm into something closer to a 27mm, and I’m losing that immersive feeling I need for my slow-motion b-roll.
I’ve been doing some research, but I’m feeling a little overwhelmed by the options. I looked at the Sony 14mm f/1.8 GM, but I’m worried it might be a bit too specialized and the bulbous front element makes using standard filters a headache. On the other hand, the 16-35mm f/4 PZ G seems perfect for gimbal work because of the internal zoom, but I’m concerned about the f/4 aperture when I’m shooting in moodier, dimly lit interiors. I also keep hearing people rave about the 20mm f/1.8 G for its balance of size and sharpness, but is it wide enough to justify the purchase?
I’m really looking for that "sweet spot" of fast autofocus, minimal barrel distortion, and a weight that won't kill my arms during a 10-hour day on a DJI RS3. For those of you who are daily driving the FX3 or a7S III for professional video work, what is your absolute favorite wide-angle lens that balances image quality with practical usability on a gimbal?
Just catching up! In my experience, the Sony FE 16-35mm f/2.8 GM II is the only lens that safely ticks your boxes. It’s way lighter than the original version and handles the crop better than a 20mm for tight rooms lol. Honestly, f/4 is too risky for moody interiors... you really gotta have f/2.8.
TL;DR: Sony FE 16-35mm f/2.8 GM II is the safest pro choice for width and speed.
hey! i totally feel u on that 1.1x crop struggle... it is actually so frustrating when you're trying to get those wide slow-mo shots on the Sony FX3 Cinema Line Camera. i just started doing more professional video work and i had the exact same panic last month during a tight kitchen shoot. i kept hitting the walls with my 24mm lol.
so basically, i ended up getting the Sony FE 16-35mm f/4 PZ G and i am so satisfied with it. i was worried about the f/4 too, but then i learned about the dual base ISO on the Sony Alpha 7S III Mirrorless Digital Camera. here is why it works well for me:
- Weight: it is only like 353 grams!! seriously, my arms feel great even after a long day on the DJI RS 3 Gimbal Stabilizer.
- Internal Zoom: since the lens doesnt move physically, the gimbal stays balanced. i think this is huge for run-and-gun work.
- The Width: 16mm is a massive difference from 24mm. even with the 4k 120p crop, it stays around 18mm which is perfect for real estate.
i guess my big lesson was that f/4 isnt scary if you just jump to that 12,800 ISO setting. the image stays super clean and the autofocus is basically instant. maybe check out the Sony FE 16-25mm f/2.8 G if you really want that extra light, but the power zoom on the 16-35 is just so fun to use. good luck with the new kit!! peace
Quick question: what's your actual budget limit?
- In my experience, the Sony FE 20mm F1.8 G is the best value.
- Be careful though; that crop makes it 22mm, which might not be wide enough.